![]() I'm not interested any more in filming that type of situation. ![]() and always, like: no, I did not really get it, I did not really get it until I really get it, and I know that that's it and now that's, you know, according to my childhood, you know, was snow and people there enjoying and having fun in snow. I have been trying to get to that for, like, many years and. from 1960 there were situations like for instance snowing or winter situation where people are there in winter enjoying winter. friend's birthday party is, trying to keep myself out. in my own way, to get the essence of what a birthday and my friend. birthday party is a very, very special, you know, thing, birthday parties and I wanted to get to the sort of. Okay, I thought, there's several weddings there in some of the films where ok, I had nieces, Jacob's birthday party so. trying to keep me completely out on these sort of views in cameras and cinema and trying to get to the essence of the situation. I selected that there was some material that dealt more with the lives of others or attempts to recall some situations very objectively and keeping. I believe that some of the content that I am trying to record with my camera and share with others, can be caught only very indirectly though the intensity of personal involvement.That material goes almost 30 years back and during that period I had made several other films so I. ![]() I have spent many years developing and perfecting a way of catching the immediacy without interfering with it, without destroying it. A lot of importance is being given to color, movement, rhythm and structure - all very essential to the subject matter I am pursuing. I am interested in intensifying the fleeting moments of reality by a personal way of filming and structuring my material. It follows a tradition established by modern film poets. ![]() The film is not conceived as a documentary film, however. As a film-maker, I am taking a stand for the politics that have been practiced by some of the artists of my generation who believe that more essential, positive contributions to the upholding and furthering of the best in humanity, have been made, say, by John Cage or Albert Camus, and not by the great political figures of the 20th century. I am interested in recording the subtle, almost invisible acts, experiences, feelings, as opposed to the tough, harsh, loud, violent activities and political actions, and especially, political systems of our time. "Now, all this has to do with my understanding and belief of what acts really affect the positive changes in man, society, humanity. This, as opposed to the spectacular, entertaining, sensational, dramatic activities which dominate much of the contemporary film-making. is a record of subtle feelings, emotions, daily joys of people as recorded in the voices, faces and small everyday activities of people I have met, or lived with, or observed - something that I have been recording for many years. This, as opposed to the spectacular, entertaining, sensational, dramatic activities which dominate much of the contemporary film-making.ĪS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY
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